Thursday, 14 October 2010
Sabrina's Textual Analysis for Paranormal Activity Film Poster
Saturday, 2 October 2010
Monique's Textual Analysis of A Film Magazine (Star Wars)
Premiere was an American film magazine published by Hachette Filipacchi Media U.S. The magazine launched in 1987 and had an original version which was intentionally called Première starting in France. The frequencies of the issues were delivered to stands on a monthly basis and the final issue that was given out was in April 2007.
The front page of this ‘Premiere’magazine consists of a medium long shot of Hayden Christensen who is well known for his boyish good looks and his epic role as Anakin Skywalker in Star Wars film series. The photographic image is surrounded by a grey background which could either have been done through Photoshop work or possibly a grey backdrop in a studio. This connotes the use of dark and eerie colours to help symbolize the importance of this actor whilst also emphasising his characteristics within the film by his NVC and costume. He stares directly into the camera lens with a serious look showing half his face while the other side is shadow connoting mystery; this attracts the audience who may come across this at a stand because they wish to solve the secrets within his eyes.
There are 3 main colours that are used in this cover; red, white and black. These are all some what intense colours that not only stand out by themselves but as a trio, they are strong and convey different connations towards varies people. White can be considered as a colour of peace and purity giving of a positive connation whilst red and black are the opposite being seen as negative with signs of warning, fear and pain.
The font type for this cover consists of serif font for the masthead which connotes tradition; the magazine was around for 20 years so it would be understandable that they wanted their demographic audience to know this. The cover lines, selling line and all other text on the cover is in a sans serif font allowing the audience to have to modern feel to it and not only being intrigued by the image but also the context of words. These bold and simple texts keep the audience attracted to what want with excessive information on the newest film industry gossip without having doubt on whether or not to purchase the magazine. The left side of cover lines is what entices the audience to the film directed at the front cover providing them with lines such as “DEATH STAR” and “YODA WOOKIE & THE MEANING TO IT ALL” this excites the audience to know they finally get to find out truths in the film. The right side of cover lines is what attracts audiences who don’t necessarily are interested in Star Wars and have an opportunity to get information on “62 movies starring Tom cruise Russell Crowe Keira Knightley” etc.. It allows everyone to get a fair and diverse feel to their monthly magazine.
Overall, this is a successful cover as it is intriguing to the audience by use of colours, prop and costume along with NVC and the use of lighting within the face to shadow cast a different side to the actor. The text appeals to the eye, bold and sharp which adds to the response from the audience. I will then take this into consideration and use these factors that I learnt to help my group make a successful horror film magazine cover.
Jide's Textual Analysis of A Film Magazine (Harry Potter)
Thursday, 30 September 2010
Monique's Textual Analysis for 'Carrie' Teaser Trailer
‘Carrie’ was directed in 1976 by Brian De Palma, It is based of a novel written by Stephen King who was excessively known as the ‘Horror novel king’ in this decade and to this present day, which bought a lot of commotion to this film as it was released in theatres.
The ‘Carrie’ trailer lasts 1 minute and 38 seconds which is long for a teaser trailer however it still pertains to mystery and suspense that leaves the audience wanting more. Consisting of several varies shots that sequence the trailer throughout.
The teaser opens up with an establishment shot which is slowly tracking in from a crane to show the prom taking place, the scene is extended to a long time of 10 seconds for the audience to get a clear view of what is going on. The diegetic sound of upbeat 70’s music connotes a party or ball which gives the audience the idea that it is as it appears. The non-diegetic sound that comes as a male voiceover highlights the obvious with the explanation to what’s happening in the scene “It’s the night of the senior prom, the baits high school gym is alive with excitement”.
After this it then goes to straight cut of a two shot with Sissy Spacek being introduced as Carrie and she stands with her date. The shot is very brief and as it is coming to as end a red light shines upon the two actors which then leads to a black screen dubbed with a screeching sound effect that is carried on into another shot of jump cuts zooming in on Carrie’s face covered in blood. These shots used are very interesting, they allow the audience to see the contrast of the previous shots were it was; calm, collected and fun to then lead onto shots of connotations involving danger, pain and fear. This is a typical convention of horror films and Intrigues the audience more to see what has caused this.
It is then cut to the next shot of the female character (Carrie) outside in a mid-shot, her denotation of costumes shows that she is partaking in Physical Education. This is also known through the lighting which reveals that is it now outside in the daytime. Again the shot is brief however it leads onto another female actress hitting Carrie on the head displaying a form of bullying by her Non-verbal communication as she is attacked and the non-diegetic sound of the voiceover saying calmly “The girl who no-one likes” This is highly stereotypical as it shows that yet again a female in a horror movie is shown to be fragile and defenceless even if they are being abused by the same sex, unfortunately the leads are mostly shown like that in different situation within most horror films.
After seeing this abuse in the previous shot, there is then brief cuts of close ups from female characters that are continuing the bullying with hurtful shouts as it leads to a medium shot of Carrie in what looks like a shower cubicle and the lighting shows the exterior to her being naked. This denotation is a common cliché convention that surprisingly happens in horror films involving shower scenes were females are attacked, For example Alfred Hitchcock’s 1960 Psycho.
Another establishment shot is shown whilst tracking in to reveal an oddly eerie looking home which can’t be mistaken for where the main character lives. The lighting within this shot is quite low key around the sides of the home with increases fear. Non-diegetic music of strings that add onto the tension from the scene before leading up to this one connotes unsettling feelings as the pace of the shots seem to speed up to this quarter way point of the trailer. A cut comes to show a pan from left to right of low key long shots of one room in the house to the other and then comes to a point to show a long shot tracking in of Carrie being dragged of into darkness by a new female character which can be thought of to be a family member. The voiceover reveals to the audience that this new character is no other than her mother and diegetic sounds of Carrie’s “NO” with screams and mother repeating a low chants allow the audience a view into her home life which is distressing adding onto the horror conventions of pain and suffering into what is thought to be a safe environment.
The next shot shows Carrie looking into a mirror displaying her power of telekinesis connoting her danger to both herself and others as the mirrors shutters and pieces fall to the floor, there is also a prop of a Virgin Mary lantern showing that she comes from a religious background. Non diegetic music that adds to the tension and builds up for the coming scenes, the voiceover also helps to confirm the audience’s suspicions by saying “The girl which the strange power”.
The non-diegetic music changes to piano chords that synchronize with the quick shots of Carrie being at the prom, dancing and having fun whilst there is a repetition of dark and intense colours like black and red that give of warnings to the big climax of the trailer. As the sequence of prom shots speed up, the non diegetic music of a screeching type sound return and shadows appear to add onto the eerie feeling to what is the audience has been waiting to happen.
Everything such as the voiceover, non diegetic music and quick cuts comes to a halt as Carrie is showered in blood this is an extremely brief shot that brings the chaotic ness alive and brings a new sequence of shots showing multiple spilt screen shots of blood, strange activities happening and Carrie’s NVC in a trance like state connoting her being taken over and the person responsible for these events. Diegetic sounds of screams and yelps of fear from the actors and bought forward with the voiceover saying information related towards the actors playing, director, the famous novelist etc. The non diegetic music continues to the end of the trailer as the voiceover says “IF YOU HAVE A TASTE FOR TERROR, YOU HAVE A DATE WITH CARRIE” this ends with a final text of the title of the film and the last few quick shots showing a final establishment shot of the school lighted with flames as a shadow connotated to be Carrie slowly walks out. It then goes to a previous jump cut showing Carrie’s bloody face focusing mainly upon the upper part of her face.
The pacing within this teaser varies between different scenes; in the beginning as previously discussed it is quite long giving the audience a chance to comprehend what is going on which is very important as it can be viewed diversely between each audience member. The medium builds up faster to the end which connotes to us that the climax as to what is going to happen is coming up. The non diegetic music goes from upbeat and cheery to eerie and screech-like noises to assist along with the erratic scenes, as well as the music the voiceover helps to add on a push of suspense to the end of the trailer where all the havoc occurs. The use of repetitive scenes makes it so not a lot is giving away however it also allows it so the audience are aware of the importance to what those scenes are and how they will later be affected and altered within the film.
The common theme within this is bullying throughout the trailer whether it being from the main character’s peers or family member it is highlighted by the quick cuts of sequences that alert us the actions being carried out which then allows the audience to have the understanding as to why this has happened as a last resort.
In conclusion after, analysing elements of a teaser trailer I have come to realise several things. Editing a teaser trailer isn’t as easy as it may appear to be, it is extremely hard. It must be remembered that this is the main product of advertisement that will entice people into going to see the film therefore editing, camera shots, camera movements are needed to be thought over thoroughly. I understand that some teasers like this one for example may solely concentrate on the main character whilst other can stray of to minimal characters to not give away any surprises that may happen in the film. Getting the audience to understand the teaser and intrigue them to watch the film is hard and my challenge will be to incorporate this into my teaser trailer successfully.
By Monique Rhomes
Wednesday, 29 September 2010
Monique's Textual analysis for 'Carrie' Film Poster

Carrie was written by Lawrence D. Cohen based on a novel by Stephen King, Directed Brian De Palma and Produced by Paul Monash. Released on November 3rd, 1976. Disturbed by United Artists.
The film is about a girl that is closed of from others by being bullied at school and being abused at home by her religious mother. One day someone takes pity on her and asks her boyfriend to take Carrie to the prom which she then agrees to go with him. Everything seems to go well until she is picked as prom queen and goes on stage to be drenched in pig’s blood. Carrie then uses her telekinesis power on her peers, creating murder and mayhem.
The poster consists of text and two contrasting medium shots of actress Sissy Spacek. The lighting in the picture to the left high key which displays a more welcoming and upbeat environment into comparison to the picture on the right which is low key with a bit of a glow focusing on the depth of colour coming of the actress’ emphasising the pain that is being inflicted.
The non verbal communication within the two pictures portrays different sides of the model which is very essential for the target audience to distinguish within this poster. In the picture on the left shows the actress broadly smiling and expressing happiness which combines well with the high key lighting connoting a positive atmosphere however the picture on the right shows the actress with a expressionless face with her eyes engaged widely towards the audience in a statue-like state which allows us to believe in the discomfort and pain that is coming from the shot.
The costumes from the actress in both differences foretell a story to the audience as it shows the gruesome comparison between the two which enables the horror genre to be expressed more. The light pink dress in the picture enhances the glee and happiness shown through the actress along with connoting her femininity and gentle emotions whilst the other that has the previous dress covered in a red substance believe to be blood. It connotes danger and warnings letting the audience aware of the bad things that will take place in the film.
The props used in this poster are used for the picture on the left symbolizing the usual US conventions of a teen homecoming queen with a sliver/sparkling tiara with pink roses with a pink bow which again as said in the costume analysis is connoting her femininity and gentle emotions within it, stereotypical revealing her frailness even though she may have the NVC of a happy and cheerful girl. This again comes into contrast with the opposite picture which relates more toward the horror theme, the denotation its self creates a story for audience to want to uncover and understand more clearly.
Setting is entirely seen within this poster however from what can be denotated from the left picture is a blue tranquil background along with glittery letters that is symbolically representing the prom environment; this is also known as previously said with the high key lighting it connotes a more safer feeling rather than the right picture that is dark and black around the actress connoting a eerie atmosphere to the audience.
The depth of field in both pictures is of a hyper focal distance. In 1976 it wouldn’t have been advanced as it is in the present however it clearly can show that within these the planes of the images the aperture and point of focus are the same throughout allowing it to be as a softer focus.
Anchorage in the poster allows the audience to be alerting of the tragic events which will take place at the prom and also clearly displaying what context of the images “IF YOU’VE GOT A TASTE OF TERROR… TAKE CARRIE TO THE PROM” this tagline gets the connotation from the pictures to get the audience more understanding that between both images and this text, a timeline of events are taken place which develops the mind of the audience to pinpoint this, thus intriguing them to watch the film showing whether their theories were correct or not.
This poster consists of both serif and sans serif font, the tagline at the top of page is of serif font connoting tradition which may have been quite unusual in 1976 because of it being new and accelerating for audience, however to be viewed today it is more understandable as to why it was done. On the other hand this serif font was used so many can think of having secret reveals in tradition towards ‘Carrie’ which gets them more interested in viewing this film. The sans serif font comes from the title in the middle of the poster ‘Carrie’ this created a more modern feel to it, along with the wave font which made it more fun to look at in that time, nowadays in current horror film posters the conventions of font for this genre wouldn’t casually be done like that in 1976 however those were times of growth and development to the new age of today, so it can easily be seen as acceptable.
The main colours used in this poster are predominately low key such as black and red. This then connects to the audience that it is based upon a horror synopsis. The background colour is black which has the attributes such as emptiness and darkness. The colour red represents blood and death, all in which has a major importance to the genre and plot being said through the poster to the target audience. The aim for this poster was to diversely advertised among different platforms in media e.g. the internet for viral marketing, Magazines, Cinema and commonly known for coverage on buses. The aim for all posters is the intrigue the audience by selling the film evidently making them want to go and see it.
By Monique Rhomes

